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Parasyte: The Maxim — Collection 1 (TheaterByte Blu-ray Review)

parasyte-collection-1-coverBased on the science fiction horror manga series written and illustrated by Iwaaki Hitoshi, Parasyte: The Maxim follows the once average high school student Izumi Shinichi, whose right hand becomes infected by an alien parasite. Calling itself “Migi” (right), the parasite, which failed to take over Shinichi’s entire body, instead becomes the first alien to develop a symbiotic relationship with its host body, and Migi and Shinichi begrudgingly develop a friendship and partnership in an effort to fight off other parasitic aliens that mean to harm them and take over all of humanity. In fact, Shinichi slowly begins to think, or realize that the survival of humanity may well depend on him and his ability to harness his newfound parasyte-c1-still-2strength, thanks to his emotionless parasitic right arm, and kill the alien parasites taking over human bodies all over. But his new condition is coming at a cost. After a particularly tough battle against one of these aliens, Migi is forced to save Shinichi’s life by sending small bits of himself throughout Shinichi’s bloodstream. The cost is Shinichi’s emotions may be lost. The first to notice this is his girlfriend Murano Satomi.

parasyte-c1-still-1Parayste can be horrifyingly grotesque in its animation, the way people morph into monstrous alien creatures, often times popping right out of their heads. Migi takes on multiple forms from Shinichi’s hand, and talks to him in anthropomorphized form throughout the series, and it’s very surreal. The animation from Madhouse is stupendous, completely beautiful even as it can work its way into your nightmares.

While the violence of the series doesn’t necessarily rise to the level of series such as Corpse Party: Tortured Souls or Hellsing Ultimate, there is definitely some, but it is more of a fantasy, sci-fi nature, than the visceral, bloody, realistic violence of those series. Those looking for a slasher type series won’t get their fix here, but for anyone else, Parasyte: The Maxim is a cleverly done and wonderfully animated horror series.

The Video

parasyte-c1-still-3The eye-popping digital animation for Parasyte is presented in a very satisfying AVC 1080p encodement on Blu-ray that is sharp, vivid, and free from any major flaws. There may be only the slightest hint of some color banding in some of the color fills, but that is minimal at worst.

The Audio

This is one of the rare releases from Sentai Filmworks that comes with an English Dub that is mixed in 5.1, andparasyte-c1-still-4 while I still prefer the performance of the Japanese cast, the DTS-HD Master Audio 5.1 mix is very good. The often pulsating electronic score courses through each channel and engulfs you in lush, atmospheric sounds. The dialogue is full and clear, and there’s a good amount of low end. But the Japanese DTS-HD Master Audio 2.0 stereo track is no slouch either. As is often the case with Sentai releases, the dynamic range is excellent and we get a good bit of stereo spread plus clean dialogue as well.

The Supplements

Clean opening and closing animations and Sentai Filmworks trailers are all that are included on this release.

The Final Assessment

Science fiction horror anime series can be really good, or just average. Parasyte: The Maxim is an inventive series that brings together all the best aspects of anime, from the great graphics to the weird storytelling for an exciting experience.

Parasyte: The Maxim — Collection 1 (TheaterByte Blu-ray Review)
3.4 / 5 TheaterByte Rating
{{ reviewsOverall }} / 5 User Rating (0 votes)
Sentai FilmworksStudios & Distributors
Shimizu KenichiDirector
Yonemura ShojiWriter
300 Mins.Run Time
$69.98MSRP
5 April 2016Release Date
1.78:1Aspect Ratio
AVC 1080pVideo
English DTS-HD MA 5.1 | Japanese DTS-HD MA 2.0 StereoAudio
TV-MA (VSL)TV Rating
The Creative Content
The Video
The Audio
The Supplements
Summary
Parasyte: The Maxim is gruesome, eye-popping, fantastic science fiction horror in an excellent Blu-ray release from Sentai Filmworks.
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