A brutal and kinetically-injected “found footage” horror film dealing in the violence of humans more than the supernatural.
Into The Dark: All That We Destroy (Film Review)
A considerably improved installment in the ‘Into The Dark’ anthology series that poses some questions about what makes us human
Flashout (Movie Review)
An ironically two-dimensional indie sci-fi comedy about a group of sexy women from a parallel universe pitching a mating game.
The War of the Worlds (1953) (Classic Film Review)
A small village in California becomes the epicenter of a global alien invasion in this 1950s sci-fi classic based on the H.G. Wells novel.
Captain Marvel (Film Review)
Brie Larson helps make Marvel’s namesake superhero not only credible but expressly human.
Alita: Battle Angel (TheaterByte Movie Review)
A cyberpunk epic with spectacular 3DCG and motion capture visual effects set in a dystopian future.
A Clockwork Orange (1971) (TheaterByte Classic Film Review)
Malcolm McDowell puts on a powerful performance in this thought-provoking and visually engaging ’70s classic.
2001: A Space Odyssey (1968) (TheaterByte Classic Film Review)
Visually striking, filled with symbolism, and a score culled from the world of classic and contemporary (at the time) classical music, ‘2001: A Space Odyssey’ has become one of the must-see entries in the classic film canon.
Glass (TheaterByte Movie Review)
‘Glass’ is a fitting end to this trilogy of non-traditional heroes/villains living in the real world.
Netflix Original Bird Box (TheaterByte Movie Review)
This moody new Netflix film has some fine acting but fails to deliver a concrete supernatural thriller
