15.9 C
New York
Sunday, April 18, 2021
Advertisement

Mahler: Symphony No. 2 [Jansons/Symphonie Orchester und Chor des Bayerischen Rundfunks] Blu-ray Review

Mahler-Sym2-Jansons-Blu-ray-cover

(The below TheaterByte screen captures were taken directly from the Blu-ray Disc and losslessly compressed in the PNG format. There should be no loss of picture quality with this format. All screen captures should be regarded only as an approximation of the full capabilities of the Blu-ray format.)

The Performance

[Rating:4.5/5]

title

A souvenir of Gustav Mahler’s centenary 2011, we not only get another Blu-ray Disc of his Second Symphony but the second one under the direction of maestro Mariss Jansons, this time leading the Bavarian Radio Symphony Orchestra and Chorus.

The program opens with a choral adaptation of Mahler’s famed song “Ich bin der Welt abhanden gekommen,” set for 16 unaccompanied voices by Clytus Gottwald. Although I have heard this mystical Ruckert Lieder number performed many times by solo female and male voices, this new setting truly captures the other-worldly nature of the music and words.

all

The Mahler Symphony No. 2, also known as “The Resurrection,” has become a staple of the choral orchestral genre, introduced by Beethoven’s Ninth Symphony. Mahler went on to write three more choral symphonies but this one is the most frequently performed. Its five movements are an unconventional number for the symphonic format but the composer makes them work to his advantage. Each movement has a theme, the first being a funeral march, the second, a memorial for the deceased, the third, questioning the meaning of life, the fourth, a plea to avoid a meaningless life, and the fifth (from which the work takes its name) a prayer for resurrection.

Please note that the final 30 seconds of the triumphant finale have mysteriously been lopped off my review copy. I would not disqualify this disc on that issue since the preceding 90 minutes is music-making at the highest level. Perhaps the Arthaus Musik folks will correct that in a future reissue.

Video Quality                                                                                               

[Rating:4.5/5]

jans4

Arthaus Musik’s videographers usually get it just right, and video director Brian Large absolutely nails it. The cameras move from one evocative perspective to another, drawing us into the action. Details and colors are spot on.  Maestro Jansons is a balletic conductor in the manner of the late Leonard Bernstein, with an expressive face and constant movement on the podium.  We get an up close opportunity to see this performance from a seat that no one in the concert hall could possibly have!

Audio Quality

[Rating:4.5/5]

faces

Arthaus Musik issues many of its concerts in DTS-HD Master Audio 5.0, rather than 5.1 surround sound. Not a problem here, since there is plenty of low frequency information captured by the audio engineers. Listeners will rapidly pick up on Jansons’ superb control of the dynamic contrasts of a big work like this one. Every time I hear a Jansons performance, details emerge that I have not heard before (listen to the little chamber music presentation of the second movement “landler” in Track 4 as it dances along). As good as the stereo soundtrack is, the surround version is the way to go.

Supplemental Materials

[Rating:1/5]

hart

We are given the usual Arthaus Musik trailers and a slim program booklet with background information on these works.

The Definitive Word

Overall:

[Rating:4.5/5]

bell

This Blu-ray disc is the fifth entry in the Mahler No. 2 sweeps that I have reviewed.  With strong performances by Claudio Abbado, Alan Gilbert, Jansons himself, and my favorite, the Ricardo Chailly/Leipzig Gewandhaus, how does this one fare?  Quite well, actually.  The Bavarian players may not be the day-in-day-out equals of their Royal Concertgebouw rivals on Jansons’ other Blu-ray performance, but don’t let them know that, as their musicianship is super-duper. From the vocal standpoint, the soloists in this performance include the same mezzo-soprano in the other Jansons recording, Bernada Fink, and a better soprano in Anja Harteros. So how do we decide which treasure to take home and which to leave behind in the castle vaults? If you already have the Jansons/Royal Concertgebouw Blu-ray, you will also have a biopic of the conductor as a big bonus: keep that one. If you have the Chailly Blu-ray, keep that one.  If you have neither, you might need to decide whether the inclusion of a truly magnificent Mahler song in its only Blu-ray incarnation coupled with Jansons’ magisterial account of the Mahler 2, outweighs the omission of the symphony’s final 30 seconds. This issue might be a deal breaker for some buyers but it would not be for me.

Additional Screen Captures

[amazon-product region=”uk” tracking_id=”bluraydefinit-21″]B00CF0EUKY[/amazon-product]

[amazon-product region=”ca” tracking_id=”bluraydefinit-20″]B00CF0EUKY[/amazon-product]

[amazon-product]B00CF0EUKY[/amazon-product]

basses

cymbals

harp

horns

fink

bassons

[amazon-product region=”uk” tracking_id=”bluraydefinit-21″]B00CF0EUKY[/amazon-product]

[amazon-product region=”ca” tracking_id=”bluraydefinit-20″]B00CF0EUKY[/amazon-product]

[amazon-product]B00CF0EUKY[/amazon-product]

 

Advertisement

Related Articles

2 COMMENTS

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Stay Connected

299FansLike
0FollowersFollow
787FollowersFollow
- Advertisement -

Notice of Compliance with FEDERAL TRADE COMMISSION 16 CFR Part 255

In accordance with the Federal Trade Commission 16 CFR part 255 guidelines, this website hereby states that it receives free discs and other theatrical or home entertainment “screeners” and access to screening links from studios and/or PR firms, and is provided with consumer electronics devices on loan from hardware manufacturers and/or PR firms respectively for the purposes of evaluating the products and its content for editorial reviews. We receive no compensation from these companies for our opinions or for the writing of reviews or editorials.
Permission is sometimes granted to companies to quote our work and editorial reviews free of charge. Our website may contain affiliate marketing links, which means we may get paid commission on sales of those products or the services we write about. Our editorial content is not influenced by advertisers or affiliate partnerships. This disclosure is provided in accordance with the Federal Trade Commission’s 16 CFR § 255.5: Guides Concerning the Use of Endorsements and Testimonials in Advertising.

Latest Articles

%d bloggers like this: