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Comes a Horseman [UK] (Blu-ray Review)

Comes a Horseman Blu-ray (BFI) Cover ArtDirector Alan J. Pakula’s 1978 western Comes a Horseman is an outlier in the filmmaker’s catalogue. Pakula made his name in the early 1970s making films that reveled in the urban paranoia and downbeat mood of the Watergate era. Films such as Klute, The Parallax View, and All the President’s Men catapulted Pakula into the film world limelight, then came 1978’s almost quaint western, which seemed like a purposeful step away from the genre that had defined his career to that point.

Starring an A-list cast including Jane Fonda, James Caan, and Jason Robards, the film isn’t entirely devoid of that undercurrent of tension and suspicion that Pakula had been practicing up to that point. Based on a Dennis Lynton Clark screenplay, the story is set in the post-World War II American West. Single Ella Connors (Fonda) is struggling to hold on to her cattle ranch and defend it from older and unscrupulous rancher Ewing (Robards), who also happens to be her former suitor. Ella enlists the help of local rancher Frank ‘Buck’ Athearn (Caan) to help her run the ranch, keep it afloat, and defend it from Ewing. Also helping her out is wily old timer Dodger (Richard Farnsworth). Complicating matters are a group of land surveyors who want Ella’s property in order to drill for oil and Ewing who wants all of her land and everyone else’s – but so he can keep it away from the oil drillers.

The underlying themes of corruption, mistrust, and even violence are all present in Comes a Horseman as in Pakula’s other films, but this film is executed with such a melancholic, cliché about the “Old West” that, that undercurrent is drowned by bucolic sentimentality and caricatures of good versus evil on the Western plains. Robards’ Ewing is just a one-dimensional “black hat” while Fonda’s Ella starts out as a strong female character but seems to devolve into something less – she’s co-dependent on the rugged cowboy trope that is Frank.

Apart from the beautiful cinematic landscape that Comes a Horseman presents and the pastoral the score from Michael Small, there is really no doubt why the film is typically one of the overlooked ones from this director.

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The Video

The film arrives on Blu-ray from the BFI from a master provided by MGM. It’s in an AVC 1080p encodement framed at 2.35:1. From the opening scene the picture quality looks a little bit off. Usually, I expect things to settle down a but after the opening title sequences, etc., but with this transfer one sees little nicks, sparkle and film softness pretty much straight through the presentation. That’s not to say that there isn’t enough detail here to offer a pleasing enough visual presentation, especially in the nearfield and in the colors, but it is not one of the more reference quality catalogue releases.

The Audio

Comes a Horseman comes with an English LPCM 2.0 mono soundtrack. It’s clean, has clear dialogue and little in the way of noise, clipping or hiss. The dynamics are actually pretty good for a monaural mix.

The Supplements

As is usually the case, the BFI provides a copious amount of quality bonus features, including a wonderfully informative audio commentary from Scott Harrison, even if his presentation style is a little on the dry side. A relatively recent interview session with Jane Fonda is also very interesting to watch. The two classic British documentary shorts are in keeping with the BFI’s style of providing thematically themed films of interest and they are quaint little films.

  • Audio commentary – Newly commissioned commentary by novelist and scriptwriter Scott Harrison, recorded July 2019.
  • Isolated Score Track Presented in Stereo – Composed and conducted by Michael Small.
  • The Guardian Interview: Alan J. Pakula (Audio Only, 95 mins.) – Alan J. Pakula in conversation with Quentin Falk. Recorded at the National Film Theatre, London, in 1986.
  • Jane Fonda in Conversation (1080p, 71 mins.) – Activist, actor, producer, writer, and Hollywood icon Jane Fonda talks to Samira Ahmed about her career. Shot at BFI Southbank on 23rd October 2018.
  • Original Theatrical Trailer (1080p)
  • Image Gallery
  • Hereford Pedigree Cattle (1.37:1; 1080p, 10 mins.) – A subtly charming portrait of agricultural life in the west of England, featuring some fine pedigree cattle. This 1937 educational short was made by Mary Field for Gaumont-British Instructional.
  • The Grassy Shires (1.37:1; 1080p, 15 mins.) – A Ministry of Information film produced by Edgar Anstey and directed by Ralph Keene showing how cattle and dairy farms of the Midlands adapt to meet the demands of war.
  • Illustrated booklet with new writing by Peter Tonguette, Brad Stevens, and Peter Kramer and full film credits (NB. first pressing only).

The Final Assessment

This is a flawed film that is better than the sum of its parts would lead one to believe. Individual performances by the cast are excellent, particularly Fonda who puts in a typically strong performance despite the weak character she’s made to portray. Caan seems rugged and Robards does his best with the caricature he is given as well. The cinematography can’t be argued with either – beautiful landscapes provide a backdrop for this sentimental western morality play. Other than that, MGM provides BFI a middling master here making it a disappointment even for those hoping to admire the beauty of the film.

Comes a Horseman is out on Blu-ray in the UK 16 September 2019 from BFI

3.5 / 5 TheaterByte Rating
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UK:15Rating Certificate
Chartoff-Winkler Productions | United Artists | MGM Home Entertainment | BFIStudios & Distributors
Alan J. PakulaDirector
Dennis Lynton ClarkWriter
119 Mins.Run Time
16 September 2019Release Date
2.35:1Aspect Ratio
AVC 1080pVideo
English LPCM 2.0 MonoAudio
English HOHSubtitles
The Creative Content
The Video
The Audio
The Supplements
A single, female rancher (Jane Fonda) in the post-World War II American West must enlist the help of a fellow rancher (James Caan) to help protect herself from her greedy former suitor (Jason Robards) and a group of oil men who all want to take her ranch in director Alan J. Pakula's 1978, overly melancholic western that feels a bit out of character for the director of such intense, and paranoid Watergate era films as Klute, The Parallax View, and All the President's Men.
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