18.6 C
New York
Monday, April 15, 2024

Woman in the Dunes [Criterion Collection] (TheaterByte Blu-ray Review)

a-woman-in-the-dunes-criterion-colleciton-bluray_post-insertIn 1964, Japanese filmmaker Teshigahara Hiroshi in collaboration with novelist and playwright Abe Kobo helped put Japan on the Art House map with this sensual chiaroscuro meditation, Woman in the Dunes.

Tackling multiple subject, such as the relationships between men and women, the dynamics of self-preservation versus the better good of larger society on the whole, the story follows entomologist Jumpei Niki (Okada Eiji) who while on vacation from his teaching position studying insects, wanders into a sandy village where he is kidnapped by the locals and forced to live with a woman (Kishida Kyôko) whose sole task it is to shovel sand for them.

Teshigahara’s film is set mostly in one room while it focuses on the building relationship between the captive Jumpei and the “woman” who when we meet her is obviously overjoyed to finally have a companion. Jumpei spends much of his time trying to find a way to escape while also becoming increasingly sexually drawn to his female host. Teshigahara always reminds us of the bleak circumstances both of our protagonists are in by interspersing almost sensual visuals of the sifting sand dunes into the scenes, particularly as Jumpei and the woman begin to get intimate.

Perhaps the overriding theme of Woman in the Dunes can be thought to be that man (and woman) can overcome any circumstance no matter how overwhelming,, because by the end of Woman in the Dunes Jumpei seems more resolved, not to escape from his imprisonment — and his host, despite their sexual relationship, still refers to him as her guest and is afraid of him leaving her – but Jumpei has discovered a way to tap into a water vein and save the two of them. In a shocking turn that offers him the opportunity to finally escape, he thinks more about telling the rest of the villagers about his new invention and helping the many than he does about helping himself. The transformation is now complete.

[envira-album id=”90875″]

The Video

The high-definition digital transfer for Woman in the Dunes was created on a Spirit DataCine from a 35mm composite fine-grain master positive. Dirt, scratches, debris, warps, and splices were manually removed using MTI Film’s DRS and Pixel Farm’s PFClean, while Digital Vision’s Phoenix was used for jitter, flicker, small dirt, grain, and noise management. The film is presented in its original 1.33:1 aspect ratio in an AVC 1080p encodement.

The image looks stunning, to say the least. There’s a sharp texture and organic, filmic appearance. You can spot grains of sand in the closeups of the dunes in various shots, which is just amazing. While the picture has definitely been cleaned up, one can still see a nice layer of grain. Contrast is strong with nuanced shadows and bright white levels.

The Audio

The original Japanese monaural soundtrack was remastered from an optical fine-grain print. Clicks, thumps, hiss, hum, and crackle were manually removed using Pro Tools HD and iZotope RX 4. The soundtrack is provided in LPCM 1.0 (48kHz/24-bit) and while it sounds a little boxy and limited in dynamic range, is more than acceptable for this film and its program given the age. Dialogue sounds clear and there is very little clipping. The score comes through well also.

The Supplements

  • Booklet: Essay by film scholar Audie Bock and a 1978 interview with Teshigahara Hiroshi
  • Video Essay (1.33:1; 1080i/60 upscaled; 00:29:22) – This video essay about Woman in the Dunes, by James Quandt f the Cinematheque Ontario (now TIFF Cinematheque), was recorded for the Criterion Collection in 2007.
  • Teshigahara and Abe (1.78:1; 1080i/60 upscaled; 00:34:53) – This documentary, detailing the working relationship between director Hiroshi Teshigahara and writer Kobo Abe, features interviews with critics and a number of the filmmaker’s associates and friends, including film programmer and professor Richard Peña, Japanese-film scholars Donald Richie and Tadao Sato, set designer Arata Isozaki, screenwriter John Nathan, and producer Noriko Nomura. The interviews were recorded for the Criterion Collection in 2006.
  • Short Films:
    • Hokusai (1953)
    • Ikebana (1956)
    • Tokyo 1958 (1958)
    • Ako (1965)
  • Trailer (1.37:1; 1080p/24; 00:03:03)

The Final Assessment

Riveting, sensual play of light and dark, bleak and lavish, heartbreaking and complex, Woman in the Dunes can be interpreted in so many ways. Teshigahara would eventually abandon filmmaking for many years before returning to it, but never quite in the same, immediate way as these early films. Criterion Collection’s Blu-ray is a must for cineastes.

Woman in the Dunes [Criterion Collection] (TheaterByte Blu-ray Review)
4.4 / 5 TheaterByte Rating
{{ reviewsOverall }} / 5 User Rating (0 votes)
The Criterion CollectionStudios & Distributors
Teshigahara HiroshiDirector
Abe Kôbô, Yoshida EikoWriter
147 Mins.Run Time
23 Aug. 2016Release Date
1.33:1Aspect Ratio
AVC 1080pVideo
Japanese LPCM 1.0 (48kHz/24-bit)Audio
The Creative Content
The Video
The Audio
The Supplements
Teshigahara's 1964 Art House classic succeeds on multiple levels -- visually, philosophically, and sensually -- and it holds up to the test of time, especially in this new stunning restoration from the Criterion Collection.
What people say... Login to rate
Order by:

Be the first to leave a review.

User Avatar User Avatar
{{{ review.rating_title }}}
{{{review.rating_comment | nl2br}}}

This review has no replies yet.

Show more
Show more
{{ pageNumber+1 }}


Related Articles

Join the Discussion on TheaterByte!

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Stay Connected

- Advertisement -

Notice of Compliance with FEDERAL TRADE COMMISSION 16 CFR Part 255

In accordance with the Federal Trade Commission 16 CFR part 255 guidelines, this website hereby states that it receives free discs and other theatrical or home entertainment "screeners" and access to screening links from studios and/or PR firms, and is provided with consumer electronics devices on loan from hardware manufacturers and/or PR firms respectively for the purposes of evaluating the products and its content for editorial reviews. We receive no compensation from these companies for our opinions or for the writing of reviews or editorials.
Permission is sometimes granted to companies to quote our work and editorial reviews free of charge. Our website may contain affiliate marketing links, which means we may get paid commission on sales of those products or the services we write about. Our editorial content is not influenced by advertisers or affiliate partnerships. This disclosure is provided in accordance with the Federal Trade Commission’s 16 CFR § 255.5: Guides Concerning the Use of Endorsements and Testimonials in Advertising.

Latest Articles